中华文明之道，以文化为桥，连世界之心。纪智大师以独领风骚的艺术语言和智造名城——株洲第一艺术文化地标，托举了湖南文化艺术的高度，众多的经典藏品及国际影响力文化出海活动更彰显了纪智黄花梨文化艺术馆不仅是中国的优秀民族品牌，更是独步国际艺坛的引领者！ ——全美中国作家联谊会副会长师帅博士

纪智黄花梨文化艺术馆的创始人——纪智在大阪世博会上的讲话

尊敬的各位来宾，朋友们：大家好！

我是纪智黄花梨文化艺术馆的创始人——纪智。很高兴能荣登大阪世博会，与大家共襄盛会。今天，我的发言主题是：收藏的终极目的究竟是什么？我认为，是传播美与智慧，让历史的旷古回音在今天思接千载，意通万里。

我们艺术馆拥有众多珍贵的黄花梨木雕收藏。起初，我和所有藏家一样，执着于守护它们。但很快我意识到，如果这些瑰宝只被小心翼翼地供奉在展台上，它们的光芒终究是有限的。我们必须思考：如何让静态的收藏，产生动态的价值？于是，我们开始了一场变革，努力让艺术馆超越传统的“博物馆”模式，成为一个文化创新的发动机。我们主要通过三大路径来实现：

首先，从“观赏”到“体验”，打造沉浸式文化课堂。

朴素的明式家具处处洋溢着儒家的仪制与风范，我相信一衣带水的友邦邻国日本和我们一样，传承了东方传统美学。我们博物馆特别珍藏了一张月洞式门罩黄花梨架子床，每一位访客啧啧称赞它的光滑温润，这代表了中国文化的一种追求自然的境界。老祖宗造字无比智慧，人和木在一起组成一个“休息”的休字。和最贵重的木头在一起就是最好、最有福报的休息。很多朋友由此爱上了黄花梨的那种美感，那种天然合一，给人无穷想象。通过这种珍品“观赏”体验，重新定义我们对知识获取和文化体验的期待。我们的博物馆，开发了系列教育项目。通过工作坊、木作体验课，让中小学生和爱好者们亲手感受木材的纹理与温度，理解榫卯结构的精妙。我们让收藏“活”起来，不再是遥远的教科书图片，而是可感、可触、可参与的生命体验。

另一个绝好的例子就是我的博物馆分馆之一的中国历史人物木雕造像馆。我用黄花梨雕刻有中国历朝历代的皇帝462位以及上古正神。众所周知，海南黄花梨自古就是皇室的贡木。皇室的尊崇让海南黄花梨拥有了至高无上的文化价值与艺术生命。为此，我大力打造中国帝王文化，并注重故事性和连贯性，通过精心设计的中国帝王故事和生动视频展线，将中国皇室的历史脉络清晰地呈现出来。故宫博物院的余辉老师称赞我的黄花梨博物馆既是对濒危遗产的抢救性记录，更是用情感化语言重构公众与文明对话的新维度。他认为黄花梨表述的文化符号一定要在展陈布局上突显本质内在属性，力求和皇家气派和黄花梨稀有的华贵典雅的文化气度高度匹配。

其次，从“保护”到“活化”，构建创意资源库。

我们将珍贵的纹样、器型、工艺手法进行数字化解析，建立一个开放式的“中式美学基因库”。这个资源库，成为设计师、艺术家、动画师汲取灵感的宝库。曾经应用于皇宫家具上的缠枝莲纹，可能今天就会出现在一位年轻设计师的国潮服饰上。这就是传统文化的当代重塑。

此外，我们积极寻求与商业品牌的跨界联动。一座博物馆要想为观众，尤其是年轻观众解读经典的文化，需用新颖的形式表现其丰富内涵。优质的文创设计就是一种很好的载体。文博展列通过各类新颖方式，如制成文博衍生品、开展趣味陈列展、来开启博物馆的文创变革。比如，与高端茶品牌合作，以馆藏茶器为灵感，共同开发联名产品；与游戏公司合作，将木雕中的神话人物、瑞兽纹样授权成为游戏中的艺术元素。通过IP授权、联合开发，我们让黄花梨艺术不再是高高在上的阳春白雪，而是能够融入现代生活、产生商业价值的文化符号。

最后，从“独享”到“共享”， 走出国门，通过国际交流融合实现资源共享和国际传播新路径。

我们秉承的宗旨是聚力打造创新引擎，驱动文化新航程。纪智补全版黄花梨木雕清明上河图长卷搭乘出海洋流，2024年1月举办的中美建交45周年的新春招待会上，我们的海外文化大使师帅博士向中国驻美大使谢锋大使介绍了聚典阁黄花梨博物馆的创立与发展。谢锋大使高度赞扬纪智先生是一位倾情传播中国传统文化的赤子，在文化传承上做出了新贡献。2024年5月在亚洲文化遗产基金会在美国首都国会山前举行年度亚洲文化博览会（Fiesta Asia）上北美清明上河图研究会向美国民众完美展示了聚典阁的特色文创产品——纪智补全版清明上河图长卷，弘扬了文化自信，为推动优秀传统文化借力文创产品出海传播开辟了新航道。

朋友们，隔海相望的日本是中国传统文化的“保鲜”冰箱之一。我们以前不重视的、失传的文化，往往能在日本中寻到可贵的“吉光片羽”。我们高度重视与大阪世博会的文化共建、共享、共生。博物馆是保护和传承人类文明的重要场所，提升博物馆的公众服务能力、创新文化吸引力，才能让博物馆对人类文明进步产生的源源不断的贡献。一座艺术馆的价值，不在于它收藏了多少过去，而在于它能激活多少未来！

一切皆是命运的感召。一切皆是福报的感召。我们已经从“收藏家”用心修炼成为了“赋能者”。我们深信每一件藏品都成为一棵汇聚生命灵光的种子，在创新的春风中，在时空的轮回中生根发芽，最终众木成林，集秀成韵，风华绝代，光耀千古！

谢谢大家！

（英文版）

Dear distinguished guests and friends:

I am Ji Zhi, the founder of Ji Zhi Huanghua Pear Culture and Art Museum. I am very glad to be honored to participate in the Osaka World Expo and share the grand event with you. Today, the topic of my speech is: What is the ultimate purpose of collecting? In my opinion, it is to spread beauty and wisdom, so that the ancient echoes of history can be thought for thousands of years today.

Our Art Museum has a large collection of precious Huanghua pear wood carvings. At first, like all collectors, I was obsessed with guarding them. But I soon realized that if these treasures were only carefully enshrined on the exhibition stand, their brilliance would be limited after all. We must think about what we can do to ensure static collections will produce dynamic value? As a result, we have begun a revolution, striving to make the Museum of Art transcend the traditional "museum" model and become an engine of cultural innovation. We mainly achieve this through three paths:

First of all, from "viewing" to "experiencing", we should create an immersive cultural classroom.

The simple Ming-style furniture is permeated with Confucian rituals and styles everywhere. I believe that Japan, a neighboring country separated only by a strip of water, has inherited the traditional oriental aesthetics like us. Our museum has a special collection of a moon cave door cover Huanghua pear shelf bed. Every visitor praises its smoothness and warmth, which represents a realm of pursuing nature in Chinese culture. Ancestors created characters with great wisdom, and people and wood together formed a "rest" character. Being with the most valuable wood is the best and most rewarding rest. Many friends fell in love with the beauty of Huanghua pear, the natural unity, giving people endless imagination. Through this "viewing" experience of treasures, we redefine our expectations of knowledge acquisition and cultural experience. Our museum has developed a series of educational projects. Through workshops and woodworking experience classes, primary and secondary school students and enthusiasts can personally feel the texture and temperature of wood and understand the subtlety of mortise and tenon structure. We let the collection "live", no longer a distant textbook picture, but a life experience that can be felt, touched and participated.

Another perfect example is the Wood Carving Museum of Chinese Historical Figures, one of my museum branches. I use Huanghua pear to carve 462 emperors of Chinese Dynasties and ancient gods. As we all know, Hainan Huanghua pear has been the tribute wood of the royal family since ancient times. The respect of the royal family makes Hainan Huanghua pear have the supreme cultural value and artistic life. To this end, I vigorously create Chinese imperial culture, and pay attention to storytelling and coherence, through well-designed Chinese imperial stories and vivid video exhibition lines, the historical context of the Chinese royal family will be clearly presented. Teacher Yu Hui of the Palace Museum praised my Huanghua Pear Museum as not only a rescue record of endangered heritage, but also a new dimension of reconstructing the dialogue between the public and civilization with emotional language. He believes that the cultural symbols expressed by Huanghua Pear must highlight the intrinsic attributes of the exhibition layout, and strive to match the royal style and the rare luxurious and elegant cultural demeanor of Huanghua Pear.

Secondly, from "protection" to "activation", we should build a creative resource bank.

We will digitally analyze the precious patterns, shapes and techniques, and establish an open "Chinese aesthetic GenBank". This resource library has become a treasure house for designers, artists and animators to draw inspiration. The twining lotus pattern, which was once used on palace furniture, may appear on a young designer's national fashion clothes today. This is the contemporary remodeling of traditional culture.

In addition, we actively seek cross-border linkage with commercial brands. If a museum wants to interpret the classical culture for the audience, especially the young audience, it needs to express its rich connotation in a novel form. High-quality creative design is a good carrier. Through various innovative ways, such as making cultural derivatives, launching interesting exhibitions, the exhibition will open up the cultural and creative transformation of museums. For example, cooperate with high-end tea brands to develop co-branded products inspired by the collection of tea wares; In cooperation with the game company, the mythological figures and auspicious animal patterns in the woodcarving are authorized to become the artistic elements in the game. Through IP authorization and joint development, we make Huanghua pear art no longer a high spring snow, but a cultural symbol that can integrate into modern life and produce commercial value.

Finally, from "exclusive" to "sharing", we should go abroad and realize the new path of resource sharing and international communication through international exchanges and integration.

Our aim is to build an innovative engine and drive a new cultural voyage. At the New Year reception for the 45th anniversary of the establishment of diplomatic relations between China and the United States held in January 2024, Dr. Shi Shuai, our overseas cultural ambassador, introduced the establishment and development of the Judiange Huanghua Pear Museum to Ambassador Xie Feng, the Chinese Ambassador to the United States. Ambassador Xie Feng highly praised Mr. Ji Zhi as a child who devoted himself to spreading Chinese traditional culture and made new contributions to cultural inheritance. In May 2024, at the annual Asian Cultural Exposition (Fiesta Asia) held by the Asian Cultural Heritage Foundation in front of the Capitol Hill in the capital of the United States, the North American Qingming Shanghe Tu Research Association perfectly demonstrated to the American people the unique creative product of Judian Pavilion, the long volume of the Qingming Shanghe Tu, which promoted cultural self-confidence and promoted the United States. It has opened up a new channel for promoting the dissemination of excellent traditional culture through the use of creative products.

Friends, Japan across the sea is one of the "fresh-keeping" refrigerators of Chinese traditional culture. The lost culture that we did not attach importance to before can often find valuable "auspicious feathers" in Japan. We attach great importance to cultural co-construction, sharing and symbiosis with the Osaka World Expo. Museums are important places to protect and inherit human civilization. Only by enhancing the public service ability and innovative cultural attraction of museums can museums make continuous contributions to the progress of human civilization. The value of an art museum lies not in how much past it collects, but in how much future it can activate!

Everything is inspired by fate. Everything is the inspiration of good fortune. We have become "enablers" from "collectors". We firmly believe that every collection will become a seed of life, take root and sprout in the spring breeze of innovation, in the cycle of time and space, and eventually become a forest of trees, a collection of beautiful charm, peerless elegance, shining through the ages!

Thank you all!

纪智黄花梨文化艺术馆

简介

纪智黄花梨文化艺术馆，由爱国侨胞企业家纪智先生创办，位于中国湖南省株洲市天元区黄山路205号，艺术馆占地面积27亩，建筑面积28000余平方米，是集收藏、展览、研究、文化交流于一体的传统文化展示基地。

艺术馆以木为载体，致力于传承和弘扬中华优秀传统文化。核心展品包括获国家版权登记并荣获第四届“中国林业产业创新奖”的《纪智补全版清明上河图》黄花梨木雕（长88米、宽2米，用材20余吨），以及中国十大传世名画黄花梨木雕、中国历史人物木雕造像、明清家具、佛教艺术造像、爱国主义教育馆等。这些木雕作品采用浮雕、透雕、镂雕等多种技法，栩栩如生，具有很高的艺术和文化价值。

纪智先生花费多年心血，投入巨资将个人收藏与艺术创作相结合，旨在打造一个展示中华木作文化魅力的平台。艺术馆还注重公益教育与文化传播，设有木作国潮文化研学体验馆，积极开展公共教育活动。

2019年以来，艺术馆作品曾受邀参加迪拜世博会中华文化馆展览，向世界展示中华传统文化。纪智先生也曾表示愿将这些文化财富赠予家乡株洲，造福市民。艺术馆不仅是株洲市传统木作文化展示基地，更成为了湖南省一张重要的文化名片，立志要为中华文化出海奉献自己的一份力量。